It just so happens that there was an exhibit of the the antiquities of Rodin and Sigmund Freud named "Passion at Work" and included a numerous numbers of Greek and Roman statuettes that Freud carefully placed in view of patients of on his couch. Rodin left over 6000 antiquities and Freud 3000.
What's amazing is that both men (while never meeting) travelled in similar circle collecting "assemblages" of work that inspired each of them. Freud discerned a type of psychoanalysis in archeology, unearthing the strata in the psyche to discover the treasures of the mind. Rodin assembled and treated work almost as real flesh and he saw antiquity being "as his youth".
For Freud there was also the amazing back-story of Marie Bonaparte who introduced Freud's psychoanalytic research to Paris; and whom also paid a pricely ransom to the Nazi's to have Freud's antiquity collection spirited away to England.
...That was just the exhibition....
Being surrounded with so much Rodin's work, left me with a palpable sense of his presence in every room. The sensuality of sculpture in undeniable and I could sense the passion and the overwhelming effort it must have taken to create such a mass of work.
As you wander the garden you see the large more famous bronzes including The Gates of Hell which brought together so many of his works; and The Thinker, a work amongst the most famous in the world. For those who know where my head is at nowadays, the Gates of Hell moved me deeply.
I captured "The Thinker" picture above from a window in the main museum. While actually standing in front of it, there was a baby in a carriage who was wheeled in from of the statue who was completely enthralled of with it. I desperately sought to find a position to capture both, but alas the angles were too extreme and the talking moms wandered off after a few minutes. A Child pondering the Thinker - This image that I will have to capture one day.
Christopher, will you join me for a walk in the Gardens?